It's a sweltering August in 1892, in Fall River, Massachusetts. And Lizzie's had enough.
A prominent businessman and his wife are brutally axed to death in their home. Their daughter Lizzie Borden is the prime suspect. Lizzie’s trial is a coast-to-coast media sensation, and her story becomes an American legend.
LIZZIE is ferocious, powerful musical theatre as rock concert: four women and a six-piece rock band, chock full of rage, sex, betrayal, and bloody murder, an American mythology set to a blistering rock score, a radically new American musical with a sound owing less to Sondheim and Andrew Lloyd Webber than to Bikini Kill, the Runaways, and Heart. The show has music by Steven Cheslik-DeMeyer and Alan Stevens Hewitt, lyrics by Cheslik-DeMeyer and Tim Maner, book and additional music by Maner, and additional lyrics by Hewitt.
The New York Times called the show “a gothic rock ritual with a ‘riotgirl’ attitude … an eerie hybrid of rock club and a turn-of-the-century New England parlor. . . Presented with wall-rattling glee…deliciously watchable.” The Village Voice talked about the show’s “lush tunes which retch sex, rage, heat, misanthropy, and incest … Surreal glee and gallows humor … Finally, a rock musical you’d wanna mosh to.” TimeOutNY called it “a fetching, brawny rock musical.” And Show Business Weekly said, “We came for splattered red, for madness and mayhem, and Lizzie more than delivers.”
The cast of New Line’s Lizzie included Anna Skidis as Lizzie, Kimi Short as Bridget, Larissa White as Alice, and Marcy Wiegert as Emma. The show was directed by Mike Dowdy-Windsor, with music direction by Sarah Nelson, scenic and lighting design by Rob Lippert, costume design by Sarah Porter, and sound design by Ryan Day.
Lizzie contains adult language and content. Lizzie was presented by arrangement with the authors.